taste: on oysters

Before I met my husband, who basically has a second stomach just for oysters, I’d eaten them once in my life. Continue reading


read: July list

Here’s a sampling of my reading list for the next few days/weeks. A novel by the author of “Winter’s Bone,” a book on single women in NYC (research for my book), a memoir about working in humanitarian aid, a history of surfing, a book about the aftermath of Katrina, a biography of Huguette Clark, and Edna O’Brien’s memoir, which I’m halfway through and adore. Continue reading

love: summer nights at moma & sarabeths

Beth & baby Geoffrey show off the Greatest Sign Ever, in the sculpture garden at MoMA this evening. I would follow that arrow anywhere. There was live music, there was espresso gelato, there was wine, and my dear friend in town for just this one night, from Michigan. Summer in New York is sticky, muggy, and stinky, but when it brings impromptu music, a stroll up Fifth Avenue with your best girlfriends, and a long, gossipy dinner, I’ll take it.


love: astoria bookshop

Such a lovely evening yesterday meeting the ladies behind the Astoria Bookshop, aka the one thing necessary to make my neighborhood complete. Lexi and Connie organized a meetup for local book nerds (well, they didn’t put it quite like that) to hear about what people want in a bookstore. Serious discussions were had about flooring choices, event spaces, how to shelve YA and romance, and the pros and cons of a bookshop cat. The new shop is going to be about a 3 minute walk from my front door, under the subway tracks at 31-29 31st Street. They plan to open mid-August. Here’s to female-owned businesses improving the neighborhood!


taste: rhubarb compote

This very quick recipe is for the lady at the farmers’ market last weekend who saw me buying rhubarb and wanted to know how to cook it. I don’t think I steered her too wrong. Rhubarb is another of those fruits (vegetables?) that I *hated* as a kid (hello kale) that are now everywhere, and some of my very favorite things. I know fashion influences what we find attractive, but it’s a bit more disturbing to think that it influences how we taste, although I’m sure it does. I don’t know what it was about rhubarb that I used to hate. Probably the texture, and the slightly cloying smell, or perhaps there was too much or too little sugar in the rhubarb crumble we got at primary school. I loved rhubarb and custard sweets, though (sorry, teeth).


(See how much prettier things are with the good camera? Man.) As a compote, poached in the simplest way, this has been a lovely breakfast all week (once again inspired by the Paris market, where the stalks were twice the size). Even though the rhubarb stalks from the Socrates farmers’ market were a bit wilted in the afternoon heat, once washed and sliced into one-inch pieces, all streaky green-and-pink, they looked fine and fresh. In a medium pan, I half-covered them with water and sprinkled them with about a quarter cup of sugar, and heated them gently until they did their thing–obligingly collapsing together into a a lovely rosy orange mush. I turn off the heat while there are still a few visible chunks, so this takes about ten to fifteen minutes. I had nothing on hand to jazz them up – orange juice and/or zest, fresh ginger, or strawberries. But chilled and served in glop over plain yoghurt and sprinkled with granola, they don’t need anything else.

love: wimbledon


I don’t come from a sporting family. My dad loved Formula One, and didn’t think any sport worth watching that didn’t have a machine involved. My mum would get caught up in the pageantry of the odd World Cup or the Olympics, and my brother played and followed rugby. But we all paid attention to Wimbledon, and it was as much about the ritual as the game–although I’ve come to love the game, in all its elegant simplicity, much more in recent years. Although I know it’s statistically unlikely, I remember Wimbledon as happening in hot weather, sitting inside on the floor in front of the TV with the curtains closed, getting caught up what actually seemed to me to be drama, unlike any other sport that laid claim to that. When we were eleven, my best friend Lucy and I worshipped fifteen-year-old Jennifer Capriati and used her multiple earrings as evidence that we, too, should be allowed to get our ears pierced. I rooted for young players, good-looking players, flamboyant players, humble players, players who were polite to the ball kids and players who yelled at the umpire, players who threw their rackets to the ground and players who jumped in the air.

I never had a British player to root for, really–I know tennis players grow up, but Henman to me never quite outgrew  the petulant boy who whacked a tennis ball at a ball girl, and his sheer middle-England namby-pambyness and all the “Henman Hill” nonsense made me secretly happy when lumbering Sampras shellacked him every year. But this year… we were up at nine and it was over in straights that felt like they went to five sets. Well done, Andy – hope you are good and drunk somewhere right now, and you get to enjoy this for a little while, no matter how much you pretend you don’t (good Scottish lad that you are.) I’ll be catching up on the Guardian’s play-by-play… not quite ready to let it go for another year.

explore: do it (outside)

It’s hotter than balls in New York right now, but it’s cooler by the river, in the evening, if you can fight off the bugs. I’m writing a piece for my dear friend Ali’s fantastic online art review Artvehicle about the current exhibition at Socrates Sculpture Park (which will have a more decorous lede) so this evening I walked down there to take some pictures. I’ve written about Socrates many times before, and it might be my favorite outdoor space in the city. I love the combination of a community-minded space and a genuine curatorial vision; I love being able to visit a farmer’s market in an outdoor gallery, and I love the juxtaposition of picnic space, views of the city, and weird, challenging, quirky, colossal, and silly art.

Here were some of my favorite pieces from the main show, Do It (Outside), conceived and curated by Hans Ulrich Obrist, which presents a series of instructions from artists on how to create a piece of art, which cannot be permanent and must be dismantled at the end of the show. It raises all sorts of questions about creation vs. “realization,” and highlights the importance of space, collaboration, serendipity… plus, there’s candy (courtesy of Felix Gonzalez-Torres) and lounge chairs.  Continue reading