Tag Archives: Ai Weiwei

explore: do it (outside)

It’s hotter than balls in New York right now, but it’s cooler by the river, in the evening, if you can fight off the bugs. I’m writing a piece for my dear friend Ali’s fantastic online art review Artvehicle about the current exhibition at Socrates Sculpture Park (which will have a more decorous lede) so this evening I walked down there to take some pictures. I’ve written about Socrates many times before, and it might be my favorite outdoor space in the city. I love the combination of a community-minded space and a genuine curatorial vision; I love being able to visit a farmer’s market in an outdoor gallery, and I love the juxtaposition of picnic space, views of the city, and weird, challenging, quirky, colossal, and silly art.

Here were some of my favorite pieces from the main show, Do It (Outside), conceived and curated by Hans Ulrich Obrist, which presents a series of instructions from artists on how to create a piece of art, which cannot be permanent and must be dismantled at the end of the show. It raises all sorts of questions about creation vs. “realization,” and highlights the importance of space, collaboration, serendipity… plus, there’s candy (courtesy of Felix Gonzalez-Torres) and lounge chairs.  Continue reading

look: don’t call him a dissident

The lives of Chinese artists are marked by remarkable multiplicity and confusion, change and disorder, doubt and destructiveness, a loss of self and the emptiness that follows, hopelessness and its attendant freedom, shamelessness and its accompanying pleasures.
– Ai Weiwei’s Blog

I had the pleasure of seeing the fantastic documentary Ai Weiwei: Never Sorry at the IFC Center this week, and writing a roundup of books on the artist & his work for Biographile, a beautifully curated new site focused on biography and memoir. Before going in I didn’t know much about Ai Weiwei, who strides through this film like some kind of ancient statue come to life, and frankly, I expected it to be a worthy but not especially fun hour and a half.  I couldn’t have been more wrong. Here’s the trailer:

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